Sunday, February 22, 2015

Stand-Up Comedians in Movies and Simon Sez (1999)



This week’s Sunday “Bad” Movie is Simon Sez.  It’s a movie from 1999 that was one of two starring vehicles for basketball player Dennis Rodman.  One of the first topics I debated writing about was athletes in movies.  The problem is that I already covered that topic when I watched the movie Gymkata.  Since then, I haven’t watched enough movies starring athletes to possibly fill another post.  To go over that topic again without anything to add would be to beat a dead horse.  This is especially true because I don’t feel the need to improve upon that one.  This all means that I had to come up with a better course of action for writing this post.  What would the topic be, if not athletes in movies?  I thought for a while before landing on something similar, yet at the same time completely different.  I turned away from Dennis Rodman and set my sights on his co-star, Dane Cook.

So the topic of this week’s post is going to be stand-up comedians in movies.  Now, I know this is going to be an odd entry in the Sunday “Bad” Movies because in many cases, stand-up comedians aren’t that bad in movies.  However, many of their careers are interesting to look at from a bad movie point of view.  Though many stand-up comedians have good movies that they are in, they tend to also have their fair share of stinkers in their filmography.  I would like to take a look at the lower end of some stand-up comedians’ film careers.

One of the first comedians that comes to mind when I think of careers that took a nosedive in quality is Eddie Murphy.  He came to prominence in the early 1980s as the breakout star of Dick Ebersol’s era of Saturday Night Live.  He lit up the stage every time he appeared on it.  You might be saying to yourself that sketch comedy like Saturday Night Live is not stand-up comedy.  To that, I counter with Eddie Murphy’s two stand-up comedy films: Raw and Delirious.  Those highlighted how great (albeit offensive by today’s politically correct, equality driven culture) he was as a stand-up performer.  His talents in both stand-up and sketch comedy would soon land him a slew of popular film roles in movies that included Trading Places, 48Hrs, and Beverly Hills Cop.  But somewhere along the way, Murphy’s career took a severe dive as he began starring in movies like The Adventures of Pluto Nash, Meet Dave, and Norbit.  As much as everyone still likes Eddie Murphy as a personality, most of his more recent work is nowhere near the quality that it was in the 1980s.  He lost his comedic mojo somewhere and cannot seem to get it back.

Robin Williams is another interesting stand-up comedian to look at when you think about the highs and lows of a career.  He is nowhere near as binary as Eddie Murphy, though.  For every bad movie, he would have a better one to follow.  It wasn’t a total decline in quality.  If Robin Williams made an RV, he would make a movie like One Hour Photo.  If he made Old Dogs, he would make a World’s Greatest Dad.  He would make cheesy family comedies that were critically panned while also being featured in work that would push the boundaries of what you expected out of him.  That doesn’t forgive the License to Weds of his career but makes the pill easier to swallow.  His presence in movies both good and bad make it easy to forget that the man who gave us a Flubber remake came from stand-up.  Robin Williams was one of the people behind Comic Relief.  Hell, when they said goodbye to him at the Emmys, the clip they ended with was from his stand-up.  That’s enough about Robin.  Let’s move onto a few people known more for their stand-up than their films.

You can’t open up your Netflix account without being bombarded with stand-up specials of Kevin Hart.  They tell you about how “Seriously Funny” he his.  He apparently has a huge following which has allowed him to make the transition into film.  Last year’s Ride Along and this year’s The Wedding Ringer have helped to establish him as a Hollywood star.  Things haven’t always been this way for Mr. Hart though.  I still remember seeing him in the mid-2000s in a supporting role in Scary Movie 3 and Scary Movie 4.  It’s a wonder that anyone’s careers flourished after that, but Anna Faris and Charlie Sheen were successful on television after that.  Meanwhile, Kevin Hart went from talking about how a person can’t wake up dead to movie stardom.  So far, his career has seemed to take the opposite trajectory of Eddie Murphy’s.  (Can I go one entry without bringing Eddie up?)

Then you have Louis C.K.  No, I don’t believe he has had a starring role in a movie.  He’s had bit parts like a security guard in Role Models or that guy in American Hustle.  If he’s been the star of a movie, the movie is slipping my mind right now.  He’s more focused on television, what with the HBO show he had years ago, and the FX show he has garnered a lot of critical acclaim for more recently.  What I really want to bring up, however, is that he’s the man behind the classic Pootie Tang.  He wrote and directed it.  That is one interesting movie.  And it is a unique movie.  I’ve never seen anything that was written in a similar way to it.  It is the true brilliance of Louis C.K. that a movie like that could even exist.  I don’t necessarily consider it a bad movie, but it’s weird enough that only a small portion of the movie watching audience would enjoy it.  It’s an outlier, and I would be willing to feature it in these blog posts at some point.

The final stand-up comedian that I want to feature is the guy that inspired this post.  First, I want to talk about the part of his film career that he is known for, then I will get to why I think that Simon Sez is worse.  In the mid-2000s, Dane Cook became a popular mainstream comedian.  He was everywhere.  He hosted Saturday Night Live multiple times.  He had stand-up specials.  People were mimicking him to their friends.  And he had a series of movies (not a franchise, just a few movies) that he starred in that never really gained the critical acclaim that was likely desired.  Good Luck Chuck fizzled and has become more of a punchline than a movie that people want to see.  Employee of the Month has been all but forgotten.  My Best Friend’s Girl was forgotten before it came out.  And then there’s Mr. Brooks.  Let’s not talk about this.  These were his four big movies, I’d say, and none of them hit in the way that his stand-up comedy had.  It was as unsuccessful an attempt at breaking into film as I’ve seen any stand-up comedian have.

Simon Sez was before all this, though, and it is a wonder that he was ever given the chance at starring in movies again.  This was 1999.  It was before the big surge of Dane Cook that I am familiar with.  The performance was insane.  The physical comedy of it was so over the top that it made Jim Carrey look tame.  Not that Jim Carrey is in Simon Sez.  He’s not.  But Dane Cook is, and he’s giving the worst performance of his career as a failed spy.  He isn’t suited to action at all, and the comedy is so hokey that he barely fits into that either.  It’s like if his stand-up routine had sex with itself and produced inbred offspring with the negative mutations.  It was terrible.  And I’m terrible for writing that comparison.  Yuck.  It was one of the worst performances by someone who I’ve seen actually act well in other movies.  And let’s just leave it at that.

I guess that stand-up comedians are just like any other working actor that graces the screen.  They make good movies and they make bad movies.  They have good performances and bad performances.  Many of them manage to hold their own as movie talents.  You’ve got Eddie Murphy, Kevin Hart, Robin Williams, and many others including Billy Crystal, Tim Allen, and Jay Mohr.  They’ve all made a name for themselves in movies, even if only for a brief period of time.  Stand-up comedians don’t suffer from the same sort of issues as athletes.  Their stage presence and ability to time jokes lends itself better to film than an athlete’s ability to get a ball in a net.  So, in the end, this post isn’t as successful as I had hoped it would be.  Oh well.  I tried.  Can you blame me for trying it?
There are, of course, some notes before this post ends:

  • Here’s the post for Gymkata.
  • Simon Sez was suggested by @JaimeBurchardt.  He also suggested the movies House of the Dead and Monster Brawl.
  • Dane Cook inspired the post.  He was in Simon Sez.  He previously appeared in the Sunday “Bad” Movie titled Torque.
  • Kevin Elders, the director of Simon Sez had a bit part in the movie.  He also wrote Iron Eagle and had a bit part in that movie.
  • Have you seen Simon Sez?  Have you seen some of the bad movies from any of the comedians I wrote about?  Do you feel like stand-up comedians make good or bad actors?  If you have anything to say related to this post in any way, feel free to comment below.
  • You can also comment if you have any suggestions for movies that I should watch for the Sunday “Bad” Movies.  You could also Tweet me anything bad movie related, or email me at sundaybadmovies@gmail.com.
  • Next week’s movie is the terrible Death Bed: The Bed That Eats.  I did this one to myself and I don’t regret it one bit, though I wish I had those 77 minutes back.

Sunday, February 15, 2015

YouTube Movies and 7 Deadly Sins (2013)



A couple of weeks ago, in my post for The Hero of Color City, I gave a tidbit of behind the scenes information about how I choose movies for the Sunday “Bad” Movies.  I wrote a paragraph about choosing newer movies to watch.  It was about how I pick out which new movies would fit into the overall feel of the blog.  This week, I’m going to take an in depth look at another way I find movies to watch and hopefully you will feel more a part of the Sunday “Bad” Movies because of it.  I want this blog to feel more like a community than just me writing about bad movies.  This is one of the ways for me to let you feel like it is yours as much as mine, even if I’m the man behind the writing.

Before I get into any of that, though, I should tell you all about the movie that inspired this post.  The title of the post has probably already let you know that the movie was 2013’s 7 Deadly Sins.  I’m pretty sure that you don’t know anything about the movie.  You should learn what it is.  It’s a fun, no-budget movie about a guy named Dante.  When Dante is killed after being hit by a car, God/Devil tasks him with hunting down seven of the biggest sinners, each representing one of the seven deadly sins.  The movie is actually a compilation of a few online videos made by Misha Tot.  They come together to form a complete narrative at close enough to a feature length, hence my considering it a movie.  Every element of it is passable from the acting to the direction to the look to the music.  The only real setback is the minimal budget which prevents passable from moving into greatness.  However, everyone was having fun making the movie and that shows through what is on screen.  7 Deadly Sins is definitely worth checking out.

Where can you check this movie out?  That’s what the over encompassing theme of this post will deal with.  The title of the post kind of gives away where I’m going, but I found 7 Deadly Sins on YouTube.  It was never released elsewhere.  I’m not entirely sure about how I stumbled upon it, actually.  I know it was on YouTube, a place full of random videos that you would never find elsewhere.  And I know it was in the suggested videos for something that I was looking at.  Any more than that is gone from my memory.  I just remember stumbling upon it like any YouTube video and thinking I had discovered a perfect addition to the Sunday “Bad” Movies roster.

Let’s take a look at YouTube and the idea of stumbling upon things.  YouTube is an interesting place.  You can find videos of almost anything on there, and just by using the suggested videos, you can end up almost anywhere else.  The opportunities of what you can find are endless.  You can start by searching a solution to a computer error and an hour later end up watching pickles singing show tunes to the cast of Ocean’s Eleven.  I’ve spent nights diving deep into YouTube.  Most of the time it ends with me watching conspiracy videos.  Videos about the Illuminati, about the hollow Earth, or about 9/11 and the attacks on the World Trade Center.  Every once in a while, though, I end up down a rabbit hole of movies I have never heard of.

The first time I watched a YouTube movie in the history of the Sunday “Bad” Movies was with Rock Paper Scissors: Fall of the Original Six.  Perhaps I am wrong in saying that it is a YouTube movie.  It’s a no-budget film that was very, very limited in theaters.  I believe it only played once or twice.  And I don’t think there was ever a home video release.  I know that my only available resource was YouTube, where I had to watch it separated into a bunch of 7-10 minute chunks.  However, the movie set the tone for what I consider to be a YouTube movie and what I consider to be a movie on YouTube.  A YouTube movie does not have a theatrical release (beyond a premiere and maybe a showing for family/friends), and it is not a made-for-TV movie.  There are few to no physical copies of which I can obtain.  And in many cases, they are movies that I discovered either through YouTube or through people who say they are on YouTube.  Rock Paper Scissors fit all of these criteria and wouldn’t be the only movie to do so.

A movie that didn’t quite fit the criteria, and I don’t consider a YouTube movie is The Craigslist Killer.  I found the movie the same way as any of the YouTube movies I will mention.  I was on YouTube and I saw the title in the suggested videos column.  The title sounded crazy enough to fit into the Sunday “Bad” Movies.  I had never heard of it before, but the idea that someone would use Craigslist to find and murder people sounded intriguing.  The thing that I didn’t realize about it was that The Craigslist Killer was a Lifetime movie, which completely goes against the concept of a YouTube movie.  It had premiered on television and gotten a bigger audience than YouTube movies tend to get.  Add to that the fact that it features a few known actors like Billy Baldwin, Sam McMurray, and Judith Hoag, and you have a movie with more credibility than a YouTube movie.  It also would have needed a bigger budget.  The only thing that it had in common with a YouTube movie was that I found it in the suggestions column on YouTube.  It was simply a movie on YouTube, not a YouTube movie.

Now, before I get into more general looks at YouTube movies, I want to use one of them to show why I think that YouTube is the digital age version of recorded VHS tapes.  The movie I’m going to use is Science Crazed, the no-budget Canadian slasher movie.  In the late 80s and early 90s when VCRs became household mainstays, many people got movies by recording them off of television, burning them from another copy, or swapping tapes with friends.  (Not that I’m old enough to remember any of this, being born in 1990.  Just follow my train of thought, will you?)  Certain movies would only be known by people because of these methods, especially swapping.  One person would find some strange video tape.  They would then share it with all of their friends.  It would become something infamous within their circle of friends.  Nobody else would know about it.  The movie would be like an inside joke.  In the digital age, this concept of sharing unknown movies can be done using YouTube.  I discovered the movie Science Crazed when someone on my Twitter feed posted a link to the movie on YouTube.  (They also recorded a podcast about the movie.  That’s beside the point.)  When I eventually saw Science Crazed, I shared the link to the video with my followers.  It was spreading like if I had been given the VHS and wanted to get some other people to see the insanity.  I don’t know of any other way to see the movie, so I share the way I do know with the people that I know.  The awareness of the movie slowly spreads through this method, which makes YouTube movies very much similar to recorded VHS tapes of yesteryear.

The most recent YouTube movie I have watched, excluding this week’s 7 Deadly Sins, is The Time Machine (I Found at a Yard Sale).  It was released online by The Actor’s Theatre Production Company.  I don’t know if they ever made any DVD copies of it or ever screened it in a theater.  The only way I know about it was that the person who suggested it for the Sunday “Bad” Movies said that I could check it out on YouTube.  Just as if they had handed me a burned VHS copy of it.  I did watch it on YouTube, and it perfectly fit in with what I think makes a terrible YouTube movie.  The acting was even worse than most no-budget movies.  The effects were some of the worst I’ve seen in any movie.  And there are so many extended shots that it feels three hours longer than it should.  Oh, and I can’t finish writing about it without pointing out that there is a second video which is a compilation of outtakes from the movie.  That’s one of the most amateur things to do with a movie, evoking the essence of a YouTube movie.

I’ve already written about this week’s movie, 7 Deadly Sins.  It’s the YouTube movie that I watched for this Sunday “Bad” Movie post.  Moving forward, I will likely watch more movies based upon my discovering them through the most popular video streaming site on the internet.  There are hundreds upon thousands of movies I could unearth simply my scrolling through YouTube.  About half of the time, they end up being as enjoyable as this week’s outing.  The other half of the time, they end up being as bad as The Time Machine (I Found at a Yard Sale).  The fact that there are some good ones outweighs all the bad that can be found, though.  There’s nothing like finding a new movie to enjoy.
There are, like always, notes: